Everyone’s favourite superhero family return for a funny, empowering second round of crime fighting - though this time the roles are reversed as Mr Incredible is left at home to look after the children while Elastagirl saves the world...
It might be tempting for some to dismiss Freddie Hutton-Mills and Bart Ruspoli’s latest directorial effort as yet another straight-to-DVD and digital release to hit the bargain bin at your local DVD shop; however, to do so would be to deprive oneself of a unique and enjoyable viewing experience.
The Wall Street Journal published an article in 2013 about a group of school friends who have managed to maintain contact with one another for decades by playing a game of tag every year in the merry month of May.
Despite the reassuring presence of Benicio del Toro, Josh Brolin and screenwriter Taylor Sheridan, some could be forgiven for being sceptical about whether Stefano Sollima’s sequel to Denis Villeneuve’s dark, arresting thriller Sicario would be as powerful as the original.
Icelandic filmmaker Baltasar Kormakur, who scaled the dizzy heights of Everest with Jake Gyllenhaal, shows an equally sure footing at sea with this survival story starring Shailene Woodley and Norfolk’s own Sam Claflin.
Adapted from Peter Rock’s novel by Winter’s Bone director Debra Granik and screenwriting partner Anne Rosellini, this is a restrained portrait of the indomitable spirit of backwoods communities through the eyes of a teenage girl and her fiercely protective father.
A mother’s courage is warped by grief and righteous indignation in Fatih Akin’s award-winning drama, which marries on-screen inner turmoil with a powerful score composed by Queens Of The Stone Age front man Josh Homme.
Despite a dissatisfying second chapter, Steven Soderbergh’s Oceans trilogy (2001 -2007) was a thrilling and inventive heist series which, following its conclusion with Oceans 13, seemed to inspire little demand for further sequels or re-boots.
Crime pays off again, just about, in latest misadventures of the larcenous Ocean family that ditches George Clooney, Brad Pitt in favour of an all-female lead cast spearheaded by Oscar winners Sandra Bullock and Cate Blanchett.
Taking its title from his short story, this elegiac account of the final years of Oscar Wilde following his incarceration living in exile in France and Italy is a passion project for director, writer and lead actor Rupert Everett.
With a star-studded female cast including Helena Bonham Carter, Sandra Bullock, Cate Blanchett, Anne Hathaway and Rihanna, ‘Ocean’s 8’ is the ultimate heist movie - it really has to be seen to be believed.
Writer-director Ari Aster’s twisted family portrait offers up creeping dread that will sends beads of sweat trickling down your spine by peeling away the layers of darkness and deceit that condemn one grief-stricken family to a grim fate.
Documentary stitches together the life of Alexander McQueen, tortured genius of working class origins, openly gay trailblazer, who challenged the fashion establishment, from his awkward teenage years to global catwalk stardom.
French enfant terrible Francois Ozon returns to the sexually charged delights of his earlier films for this heated psychological thriller of a disillusioned young woman and relationship with her therapist and his twin.
For all its visual flair and dazzling set-pieces, Collin Trevorrow’s fourth segment of the Jurassic Park franchise, Jurassic World (2015) failed to match the nerve-shredding tension of Steven Spielberg’s seminal first instalment.
Splicing the creative DNA of Steven Spielberg’s Lost World sequel with the rumbustious 2015 reboot Jurassic World, should roar and rampage but despite some great set-pieces this muscular fifth instalment is too tame to really thrill.
Ross Lynch delivers a chilling performance as the teenage Jeffrey Dahmer in this biographical drama written and directed by Marc Meyers, adapted from a graphic novel by John Backderf about the formative years of the serial killer.
Straight from the James-Bond-spoofing credits - complete with an emotive soundtrack, tongue in cheek credits and Deadpool himself being showered in gold paint, you know that this sequel isn’t taking itself too seriously.
Writer-director Bill Holderman’s frothy romantic comedy stars Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen as life-long friends, who have forgotten what it means to grow old disgracefully.
With Ron Howard stepping forward to replace departing directors Phil Lord and Chris Miller and reports of substantial reshoots among its production difficulties, it would be fair to say that the expectation for the latest Star Wars spin-off was less than ecstatic.
The Last Jedi propelled George Lucas’s saga into a galaxy far, far away from the old-fashioned charm of the original trilogy, but this Han Solo origins story directed Ron Howard slingshots at lightspeed in the opposite direction.
With its self-aware humour and ultra-violent fight sequences, Deadpool was one of the biggest hits of 2016, grossing $783,112,979 worldwide and becoming the highest grossing R-rated comedy in box office history.